➔ Football Playground / Guinée et Potin Architects — Sport often takes place in highly regulated environments requiring membership and equipment. But it also spills over this spectacular framework into the raw informality of public play: pick-up games, ad-hoc rule variations.
Its $35.5 million price conveys significance, but no one is exactly sure what it is or what it means. It is an image, a placeholder, an attraction in a field of attractions. It is a signpost to an absence, a Hitchcockian MacGuffin. In short, it is what you build when you don’t know what the public realm is any more.
Alexander’s website is horrific in appearance and usability. Come to think of it, A Pattern Language could use a new edition with better typesetting and diagrams. It looks like it was made with a typewriter and a photocopier. And not in a good way.
WHERE DOES CHRISTOPHER ALEXANDER GO WRONG?
Where does Christopher Alexander go wrong? In A Pattern Language (1977) he describes a design methodology that tries to capture the apparently spontaneous success of vernacular building:
“The elements of this language are called patterns. Each pattern describes a problem which occurs over and over again in our environment, and then describes the core of the solution to that problem, in such a way that you can use this solution to that problem a million times over, without ever doing it the same way twice.” (p. x)
Each pattern describes a particular relationship that can be manifested any number of ways. For example, the pattern ‘Arcades’ specifies that paths along the edges of buildings should offer continuous shelter; and the pattern ‘Necklace of Community Projects’ specifies that town halls should be connected to a ring of facilities for community groups. So far, so good. But somewhere down the line he gets to arguing that we should only use warm colours inside, that all farms must be public parks, and that its impossible to make a comfortable space using thin columns. I react strangely to his work: his desire for a generative theory of the built environment sounds great, but somewhere along the line it gets weird and ends up being retrograde.
DPR-BARCELONA ON THE MOON.
César Reyes Nájera and Ethel Baraona Pohl of dpr-barcelona have posted on the idea that the moon is a shared space. It reminded me of Jorge Luis Borges’s poem ‘The Moon’ (1964), which opens with a man bent on “making an abridgement of the universe” who realises he’s forgotten the moon. Love the hand-composited panoramas from the Surveyor 7 probe.