Kennicott on MVRDV pseudo-controversy

Phillip Kennicott, art and architecture critic for the Washington Post, doing his job on the MVRDV pseudo-controversy:

The controversy seems part of a larger cultural effort to make the events of September 11, 2001 somehow sacred, to use the meaning of the terrorist attack for larger, more overbearing cultural control. So now it is being deployed against contemporary architecture, not because there is anything inherently offensive in this design (which may or may not be an intentional reference to 9/11), but because the emotions generated by the attack have been co-opted by one part of the political and cultural spectrum.

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