As you’ve likely noticed, I’m not writing much here at the moment. I’m a little more active on Mastodon, and collect pictures on Tumblr. You can read about my research and teaching here.
In rethinking scale, a first move is to shift away from scale as a noun, describing a mathematical function or geometric transformation, towards scaling as a verb. In her ethnographic study of the office of OMA, anthropologist Albena Yaneva writes of scaling as “an experimental situation… an apparatus” by which designers configure and inquire into what they’re designing. “[T]he rhythm of scaling”, she says, “relies on procedures for partial seeing: scoping, rescaling, extending and reducing the material features of scale models.” In other words, scaling operations are not simply about controlling size, they are also about editing, filtering, omitting, and framing. Working across scales, or jumping between them allows a building to exist simultaneously as abstract and precise:
“The final building is never present in any single state or model, but in what all of them together project. That is why the building is a multiple object: a composition of many elements; a ‘multiverse’ instead of a ‘universe'”
Yaneva, A. (2005). Scaling Up and Down: Extraction Trials in Architectural Design. Social Studies of Science, 35(6), 867–894.
Scaling differently
Scaling — the technique of working with proportionally reduced (or enlarged) representations — is one of the fundamental tools in a designer’s toolbox, especially when working on big things like buildings, landscapes, or territories. It would be easy to think of scale as purely technical, a matter of applying a mathematical function. But historian of science Deborah R. Coen suggests there’s a bigger picture:
scaling is also something we all do every day. It is how we think, for instance, about how one individual’s vote might influence a national election, or whether buying a hybrid car might slow global warming. It can also be a way of situating the known world in relation to times or places that are distant or otherwise inaccessible to direct experience. Scaling makes it possible to weigh the consequences of human actions at multiple removes and to coordinate action at multiple levels of governance.
Deborah R. Coen, Climate in Motion. Science, Empire, and the Problem of Scale.
What if designers thought of scaling practices more broadly? How do we and others participate in worlds beyond the scope of our bodies? How do we (try to) reach distant or inaccessible places and times, and coordinate actions?
Some assumptions about public space
It seems to me the most important thing I could work on right now is public space and how we produce it. So many of the issues that face us — climate change, racial justice, poverty, social alienation — are tangled up in how we share space and the various ways we compose, construct, or configure it.
As a designer trained as an architect I’m predisposed to immediately start inventing things and finding solutions, but I’ve finally started to understand that there are some pretty fundamental problems with design. Specifically, theres an inadequate model of agency implicit in the idea of designing and embedded in the techniques and practices of design.
I want to unpack some of these techniques and practices to understand this better, but I thought the best place to begin is making six initial assumptions explicit (and signalling a fraction of my debts). So here goes…
Assumption 1: Dissent is as important as consensus for public space. This doesn’t just mean that public space provides a forum within which we might disagree about this or that. The disputability of the forum itself has to be part of its definition. (I learned this particularly from Jacques Rancière, Bonnie Honig, and Sara Ahmed).
Assumptions 2: Public space doesn’t exist by default. It’s not natural or inevitable, but has to be achieved somehow. It also has to be kept going, which is why care and maintenance are so important. (I came to see this by reading Hannah Arendt, Peter Sloterdijk, and Noortje Marres).
Assumption 3: Public space is made up of buildings, organisms, objects, affects, infrastructures, stories, machines, programs, credit facilities, networks, policies, media, archives … To understand public space, we’re going to need some pretty clever charts, diagrams, and travelogues. (Thanks Keller Easterling, Shannon Mattern, and Bruno Latour for making things more difficult).
Assumption 4: Public space isn’t made only by professionals and experts. Public spaces are constantly being made and remade in informal, amateur, ad-hoc, and illicit ways. (I learned this from the anonymous barricaders of Paris, archaeologist Arthur Evans, and from conversations with my friend, artist Layne Waerea)
Assumption 5: Public space and design are culturally-specific and historically-situated conceptsthat need to be relativised. Indigenous understandings of being in a shared world, anticapitalist and decolonising perspectives, and voices from the margins are essential for this. (Among many, thank you Jade Kake, the SOUL Campaign to protect Ihumatao, the Vā Moana research group at AUT University, and Anna Tsing’s mushrooms)
There are probably lots more assumptions I’ve made! For now, I’m writing these down to serve as a reference points marking where I’ve arrived at so far, and where I’m setting out from.
Unfolding Maps
➔ Unfolding Maps — GIS API for Processing.
Cities Are Not as Big a Deal as You Think
➔ Cities Are Not as Big a Deal as You Think — “The UN estimates that only one in eight people live in a megacity. “The seven of eight people who are not living in the megacity of the future are going to live in horizontal forms of cities that are disconnected in some way or another from their nearest center city,””
Léopold Lambert has prepared this meticulous “Chrono-Cartography of the 1871 Paris Commune”
Animal infrastructures
➔ Animal infrastructures — “The growing temptation will be to turn to engineered animals, rather than to existing equipment or inanimate machines, to perform future urban work for us.”
The Economist on Matthew Rognlie’s theory linking inequality to housing.
➔ The Economist on Matthew Rognlie’s theory linking inequality to housing. — “The return on non-housing wealth, in fact, has been remarkably stable since 1970 (see chart). Instead, surging house prices are almost entirely responsible for growing returns on capital.”
Neil Brenner asks if “tactical urbanism” is an alternative to neoliberal urbanism?
Owen Hatherley: What happened in Vegas should have stayed in Vegas
➔ Owen Hatherley: What happened in Vegas should have stayed in Vegas — “There is an alternative to ‘learning from’, and it’s not a return to arrogant form-giving, it’s ‘working with’.”
Sam Jacob on post digital representation in architecture
➔ Sam Jacob on post digital representation in architecture — “collage is now seamless, and not being able to see the join makes collage work in a very different way. In short, it’s Photoshop rather than Grasshopper that is the real site of productive digital speculation.”
Smart cities ‘will destroy democracy’
➔ Smart cities ‘will destroy democracy’ — “As the tech companies bid for contracts, Haque observed, the real target of their advertising is clear: “The people it really speaks to are the city managers who can say, ‘It wasn’t me who made the decision, it was the data.’””
Mackenzie Wark on Keller Easterling’s new book on infrastructure, ‘Extrastatecraft’
➔ Mackenzie Wark on Keller Easterling’s new book on infrastructure, ‘Extrastatecraft’ — “Infrastructure is how power deploys itself, and it does so much faster than law or democracy.”
Scripted Movement Drawing Series 1, Andrew Kudless
➔ Scripted Movement Drawing Series 1, Andrew Kudless — via BLDGBLOG. We give robots welding torches, vacuum grippers and saws; why not pencils or brushes?